
IN September 1998, David Buechner, then 39, a prominent classical pianist, came out as a transgender woman, explaining that from then on, she would live and perform as Sara Davis Buechner. The pianist had been accustomed to rave reviews (at 24, David, in his New York City concert debut, was called “an extraordinary young artist” by a New York Times critic). But the debut as Sara, reported in a Times magazine article, was not so well received, even by loved ones.
Elizabeth and Anthony Buechner, the parents, as well as Matthew, the older brother, all expressed their opposition. In a recent interview, Matthew Buechner, a professor of molecular biosciences at the University of Kansas, said he had counseled David to remain a man publicly and cross-dress in private. “A lot of people live that kind of dichotomy,” Matthew said. “I saw the switch as something that would destroy a career. Classical audiences are very conservative.”
But Sara Buechner was determined to be. She said that from when she first took lessons at age 3, she knew she’d be a pianist, and not long after, realized she was meant to be a girl. (“On the playground, boys yelled ‘David’s a girl’ and I’d think, ‘You got that right.’ ”) She believed that bouts of heavy drinking and depression during her years as David stemmed from not being true to herself.



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